I’ve worked on staff and as a contractor for ad agencies, post-production houses and one large tech company. During my time in post-production, I’ve been utilized for local, national and international campaigns as well as internal content. I thrive in the group environment of film production and value collaboration and creative innovation.
Screen UI build for localization and screen replacement at Wild Gravity for Amazon.
I’m comfortable taking on rotoscoping, masking, tracking and screen replacement tasks and working with established assets to expand content or for localization.
Screen UI build for localization and screen replacement at Wild Gravity for Amazon.
Established graphics package localization and expansion at the New Blank for ESPN.
Motion graphics intro, roto, tracking and screen replacement at Workhouse Creative for Blackberry.
VFX Compositor for short film, Color TV, No Vacancy
VFX Compositor for Martha via Baby Pony Food
Typography treatment and animation + art direction for illuminati hotties
2D Animation (1:35-1:45) for Rozwell Kid
In addition to visual post-production experience I have experience in coordinator and pre-production roles. I've overseen logistics, organized schedules, strategized to improve workflow and maximized efficiency. I thrive on completing challenges within existing parameters, and I am comfortable developing workflow and management solutions in the moment when guidance may not be readily available, or when a new viewpoint can be valuable.
Influencer Researcher and Data Coordinator for Microsoft Hololens: Actiongram project.
Lastly, I’m comfortable working on location and know professional practices for set etiquette.
Production Assistant for the New Blank in-house shoot.
Hard skills and proficiencies:
Adobe Creative Suite
2D animation
Liner video editing
QC best practices and codec usage/FTP
Shotgun Project Management
“Ansley is both a self starter and a wonderful person to be on a team with. They are independent, flexible and on top of it when projects are in flux. Ansley is ready to step in where help is needed and can wear many hats, be it photographer, motion designer, animator or on set support. Her background in concert photographer gives her a unique perspective which she brings to production, adding a creative edge to all of her work.”
“Ansley amplifies any team she’s a part of, with great energy, ideas, and her natural creativity. We’ve worked together on commercial, documentary, and art projects. Always my first call for post, illustration and design. ”